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词汇 subtonic
释义

Definition of subtonic in English:

subtonic

noun sʌbˈtɒnɪksəbˈtɑnɪk
Music
  • The note below the tonic, the seventh note of the diatonic scale of any key.

    〔乐〕音阶第七音,下主音

    Example sentencesExamples
    • The statistical approach confirms the dependence of the doubled subtonic on the number of voices.
    • Some modernists are calling the major seven, or ‘leading tone,’ the subtonic because it is the scale degree below the tonic and it's function as leading to the tonic is falling out of favor by modern composers.
    • So the subtonic or 7th note becomes a typical hinge for mixolydian tunes.
    • From the subtonic it is possible to make a leap only to the supertonic.
    • The subtonic scale degree may be harmonized with the subtonic or the minor quality dominant chords.

Rhymes

anachronic, animatronic, bionic, Brythonic, bubonic, Byronic, canonic, carbonic, catatonic, chalcedonic, chronic, colonic, conic, cyclonic, daemonic, demonic, diatonic, draconic, electronic, embryonic, euphonic, harmonic, hegemonic, histrionic, homophonic, hypersonic, iconic, ionic, ironic, isotonic, laconic, macaronic, Masonic, Miltonic, mnemonic, monotonic, moronic, Napoleonic, philharmonic, phonic, Platonic, Plutonic, polyphonic, quadraphonic, sardonic, saxophonic, siphonic, Slavonic, sonic, stereophonic, subsonic, symphonic, tectonic, Teutonic, thermionic, tonic, transonic, ultrasonic

Definition of subtonic in US English:

subtonic

nounsəbˈtäniksəbˈtɑnɪk
Music
  • The note below the tonic, the seventh note of the diatonic scale of any key.

    〔乐〕音阶第七音,下主音

    Example sentencesExamples
    • The subtonic scale degree may be harmonized with the subtonic or the minor quality dominant chords.
    • Some modernists are calling the major seven, or ‘leading tone,’ the subtonic because it is the scale degree below the tonic and it's function as leading to the tonic is falling out of favor by modern composers.
    • So the subtonic or 7th note becomes a typical hinge for mixolydian tunes.
    • The statistical approach confirms the dependence of the doubled subtonic on the number of voices.
    • From the subtonic it is possible to make a leap only to the supertonic.
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